Wednesday, October 21, 2009

charts.

sometimes, when it's late at night and I can't sleep, I make charts:

Photobucket

Photobucket

(I feel like these might come in handy later, maybe)

sometimes I take up origami.
and before I know it,
my room is carpeted in paper flowers.

I need to stop being a night owl.
I'm always the last one up.
I always lock the doors,
and blow out the candles.
I need ambien.

Saturday, October 17, 2009

on coming out, despite not wanting to, and being human.

I wrote this last year.
I made a friend read it at the open podium because I was too scared.
In lieu of national coming out day, I think this is appropriate, and pertinent,
And definitely worth sharing:

……..


I am not an activist.
You won’t see me marching, or boldly and proudly bearing the beautiful colors of the rainbow.
I am not that brave.

The truth is, I’m scared.
I’m scared to death about how you will react when you find out.
I’m scared of the deafening silence that will surely follow. Your shock, your expression—frozen, like a living statue, cold as ice, the color draining from your face as your heart suddenly stops, breaks, and plummets to the pit of your stomach. I don’t want to hear the sound of your vomit splashing against the drain of the kitchen sink. I’m scared to watch as you age, instantly, right before my eyes: your hair graying, your skin wrinkling, your organs failing. I don’t want to be the source of your anger; strings snapping, glass breaking, the walls shaking as your blood boils. I’m scared of bursting capillaries, bulging veins, staccatoed breaths, bitter tears, your white knuckles, your rage, your disgust—your obvious pain.
I’m scared of your rejection; I’m scared of being abandoned.
I’m scared of disappointing you.
I’m scared of losing you.

Unfortunately, there’s no testing the waters in this situation. It’s black and white.
There are no shades of gray.
You’re either in, or you’re out.

So here I am: locked in the car, bound in the backseat, trying to sort out, digest and make sense of this impossible jig-saw puzzle, with only a handful of pieces—none of which fit together—and no hints, clues, tips or phone calls, magic lamps, bread crumb trails or wishing wells to guide me, to let me know if the coast is clear, to let me know if it’s okay to make my move. Here I am, feasting on the scraps of a limited supply of hope, running on empty and praying for the apocalypse.

I’d be lying if I said I wasn’t tired of walking on eggshells, of constantly tiptoeing on pins and needles. I’m sick of keeping secrets, of self-medicating, of temporary mends. Of after hours meltdowns and sleepless nights, of slick blades and seeping wounds, of the masochism, the self-destruction, the self-deprecation. Of substitutions, of rerouting, burying and hiding pain.

I am sick of feeling invisible.

I know it’s no way to live, but I don’t know what else to do. We march. We carry on. We persist. We drive. We have to. Stopping isn’t an option. We do what we have to just to survive. And as much as I’d like to prick my finger on a spinning wheel and sleep through this lifetime, I can’t. It’s impossible.

It’s impossible because, for some fucked up reason, this universal notion exists reasoning that because I’m gay, I must be abnormal, an alien, a leper; somehow, because I’m gay, that makes me less of a person.
And you wonder why I refuse to come out?

What you fail to realize is this:
I have the same fears as you do,
I have as much pain as you do,
I’ve lived as much hell as you have,
I’m just as human as you are,
We all have the same parts,
We all have beating hearts,
We’re all wired the same way
We’re all on the same journey, swimming for dear life, trying not to drown in the same torrent, surging through the same vein.
We all want to accomplish all these seemingly impossible things:
We all want experience love, to fill our voids with something beautiful, something substantial and something permanent.
We all want to feel valued,
We all want to be accepted
We all want to be loved
And we all want to be respected.

This isn’t a phase. It’s not a disease or an infection.
I’m not contagious. You can’t catch it.
This wasn’t a choice. I wasn’t converted.
I was born this way.

All I am asking for is respect.

Until you can do that, I’ll be waiting, impatiently, from inside the closet.

........








I realize, by sharing this, I’m essentially outing myself.
And I’m motivated to share this, not so much by a sense of obligation via membership
Than I am by a personal sense of duty.
Because this is more important than just me.
Whether I like it or not, I’m a part of this movement.
And there aren’t many people out there singing for our side.
I’m usually never one to let others speak for me
And for a while, this was one instance where I kept my lips locked.
But I’m starting to realize
If I’m not going to stand up for myself, who will?


This is real ya’ll.
This is really happening.
So here it is—
Without the sequins
And the feathers and the glitter
And the rainbows.
And all that other stupid bullshit.
I’m gay as fuck.
But, I’m also more than that:
I’m human.
Just like you.

Tuesday, October 13, 2009

bathwater.

I think
Falling out of love
Is like getting out of the bath:
It’s difficult to bring yourself to do it.
And at first, it’s a process and motion
You don’t even want to go through with.
It doesn’t matter that your fingers and toes resemble prunes,
Or that the water isn’t nearly as warm as it was initially,
And it’s frighteningly murky; you can’t see the bottom,
And you think you might be fermenting—
Because when you’re in the bath, nothing else matters.
You have no obligations, no duties or commitments.
You don’t have to uncomfortably mingle and make trifling conversation,
Or be cordial and eloquent and dazzling and exude proper etiquette,
Or keep resolutions or promises,
Or actively participate, or consciously involve yourself in anything.
You don’t have to make nice, or kill em’ with kindness,
You don’t have to smile when you’re thinking of killing yourself.
You don’t have to get over it if you don’t want to.
And, for a brief moment, you can just float in the foam—
Detached—and let life pass you by.
For you know all too well
That once you breach the soapy surface
It’ll just be you against the universe.
Only you, standing there naked and shivering and dripping and alone,
And you’re scared, and you can’t remember
What life outside the porcine tub is like,
And you don’t know if you even want to remember.
You’d rather drown than deal.
Sulk in the suds than cope.
And yet, there you are—sitting in the very filth
You wanted to wash yourself clean of.
It seems kind of silly, soaking in dirt and oil
And the rotting roses and spoiled wine; the broken heart stew,
Expecting to be cleansed by the brew.
The same way it seems kind of silly
Caring about someone who doesn’t care about you.
So you surface, and emerge,
Because you have to,
Because life isn’t pausing for you,
Because the world isn’t stopping for your grief,
As much as you wish it would.
You can’t breathe.
You feel like you’re dying.
So you bundle, and hold yourself.
And then, slowly, by degrees, you start to dry.
Slowly, you start to live again.
You appreciate the northern hemisphere and the seasons,
And cleanse bad blood,
And mend burnt bridges,
And have heated grammar debates on Saturday nights,
And embrace the crazy in you, because
"Some people never go crazy,
What terrible lives they must lead".
And you make jokes in the hospital,
And plot, assigning roles for the post-apocalyptic world,
And huddle on the couch with friends and gossip and scheme,
And appreciate your wacky village in the post-modern age,
As motley and sorry as it may be, because at least you have a village.
And you sing, despite what you’re hacking up,
And burn your hopes and dreams and toenails in a cauldron
Letting the ashes sail to the heavens
And hope that the universe answers your prayers.
And even if it doesn’t, it’s okay.

“Life will break you.
Nobody can protect you from that,
And living alone won’t either,
For solitude will also break you
With its yearnings.
You have to love.
You have to feel.
It is the reason you are here on earth.
You are here to risk your heart.
You are here to be swallowed up.
And when it happens that you are broken,
Or betrayed, or left, or hurt,
Or death brushes near,
Let yourself sit by an apple tree
And listen to the apples falling
All around you in heaps,
Wasting their sweetness.
Tell yourself that you tasted
As many as you could.”

- Louise Erdrich, the painted drum, p. 247


Tuesday, September 29, 2009

bitter.

A more adequate title for this might be:
“On giving up”

So
I’ve been comparing notes with friends,
And it appears we’ve all, somehow,
Collectively and simultaneously
Come to the conclusion—without actually discussing
The matter until recently—that we’re done with this lifetime.
We can’t do much more with the cards we’ve been dealt
And it’s not that we want a new hand,
We just want the game to be over.
No, the realistic possibility of a suicide club
Is not what should be raising red flags,
Rather, the more salient item worth extracting
And underscoring is the fact that
We’re all just losing hope.
Perhaps our generation is just lazy and apathetic.
Or, something else is afoot.
Now, I might just sound like
A poor little rich boy, whining and being emotive
And inventing conspiracy theories
Because things aren’t going as planned,
(Because the days are already getting noticeably shorter
And it’s getting colder, and the dishes keep accumulating,
And my hair only looks good when I don’t wash it,
And keep forgetting about the plums I buy
Only to find them rotting away when I do remember them,
And I can’t actually paint or play the piano,
And painting and playing the piano
Aren’t actually productive or practical pursuits
Because there isn’t even a job market for artists,
And I can’t get to bed at reasonable hour,
And I definitely drink way too much,
And I’m not worried about my carbon footprint,
And it’s too taxing to keep track of the pain
Of the surrounding villages even though I wish I could,
And I’m single and more than aware and bitter,
And even if I wasn’t, it’s not like
I could legally marry the one I loved anyway.)
But everything is relative, right?
And this occurrence isn’t isolated.
I’m not the only one.
We’re all becoming less inspired
And rapidly losing hope… together.
Which is morbidly uplifting.
But also troublesome.
We’re all waiting for some sort of
Divine intervention:
To peel back our chocolate wrappers
And find that golden ticket,
Or for the law of attraction to finally kick in,
Or for the sky to fall,
And for the world to end.
Why does it seem like everything
Is out of our hands?
Why does it seem like
“Nobody is steering this ship.
We're all just looking nervously
At the approaching iceberg
& wondering if we can raid the bar”?

What is happening?
And why don’t we care?

If I had the time to figure it out
And report back to you, I totally would.
But right now, building a seed vault and erecting
A doomsday bunker seems like
A better use of energy.





“And if I had the patience and I had the money
And I had the humor and I had the offer
And the space and the time and the talent
And I had the power and I had the reason
And the virtue and I had the cunning
And I had the status and I had the wisdom
And I had the audience and the admission
And I had the method and I had the quiet
And I had the motive and the story
And I had the money and I had the time
(And you had the slightest clue what all the fuss was for
All of the times that I say that I’ll do it
It’s nine-hundred-nine that I secretly ruin
It’s good that I tell you this over and over
Over the rainbow and out through the back door)



Then I just might try

If only I could prove it
If only I weren’t stupid
If only I could torture
All the people who can do it

And if I had an offer to be better
I’d decline

And if that were more awful to consider
I’d be fine

And if it were all my fault
That I’m bitter…”

Monday, September 21, 2009

living a still life.

I feel like my life has ground to a halt,
Even though I know, for a fact, that time is passing:
The vegetables in the still-life
I’ve been painting every day
Are aging—I can see their sides hollowing in,
Their posture shrinking.
The once stretched leathery hides
Of the bell peppers are drying up
And starting to wrinkle,
Collapsing into cavernous creases.
The plums are pruning, the casings of the
Formally ripe tomatoes are starting to sag,
Collecting and piling in ripples at their bases,
The skin of the eggplants is folding—drawn, like pursed lips.
The apples are browning, their bruises exposed,
The lemons are molding, coated in a frosting
Resembling cobwebs,
Time is passing,
And I document these changes in my paintings,
The white of my canvas
Slowly disappearing under thick layers
Of oil paint and turpentine.
The evidence is all around me:
I accidentally grew a beard)
(I finally shaved; I look twelve);
Time is passing.
I witness funeral processions every day,
People are dying; time is passing.
The dishes pile to overwhelming heights in the sink;
Time is passing.
The tide of cheap red wine
Ebbs away from its bottle
And into my gut;
Time is passing.
The days are growing noticeably shorter;
Time is passing.
Still, I feel like my life is on pause.
I don’t feel like an active participant.
“I’m inside a still-life, with the other absentee”.




I went out to lunch with a professor the other day,
And he told me all about how he married
His college sweetheart,
And how wonderful it all is,
And how he couldn’t imagine being
With anyone else.
Then he asked me if I had a sweetheart;
I told him I didn’t.
“Don’t worry,” he said, “when you find the one,
you’ll know it”, he assured me.


Later that night, I was debating
Whether or not I should wear nice jeans
To a friend’s birthday party
“Why does it matter?
Who here are you going to impress?”
One of my housemates replied,
Half in jest, but bluntly glossing the truth
Silver with sarcasm.
Ouch.
“Good point,” I conceded,
And I didn’t tell her
About how I was also debating
Trimming my pubes.








We always want what we can’t have.
I’m sick of coming home to an empty bed.
(I’m also sick of whacking off)
I long for human touch.
I want somebody to harmonize with.
I want an excuse to trim my pubes.
I want somebody to love.



But you can’t always get what you want,
Even if you probably deserve it.












I guess, sometimes, the only thing you can do
Is dance in your room to Tegan & Sara
Because, despite what you tell yourself,
You’re still not over it.
But at least you’re dancing
And that must be some kind of step
In the right direction.

Right?










“He’s just a boy what on earth am I thinking?
The billions treasure each drop they are drinking—
And I just want to make it through the night
I just want to know that I’ll survive
Everything is relative, that’s right
But you’ve never suffered a day in your life.
Poor little rich boy playing piano
What good is practice if you haven’t learned by now?
There are no starving Chinese in your bedroom
The finger that points is attached to your elbow.”

Tuesday, September 8, 2009

white after labor day.

My new house creaks,
Especially when everyone
Is sleeping soundly,
And the eerie orange glow
Cast by the street lamps
Is pouring in through the cracks in the curtains,
And the shadows are dancing
On the plaster walls of my bedroom,
And I can’t differentiate the stars
From the military jets soaring above,
And only the suspicious, windowless vans
And empty city buses are cruising about.

We live by the cemetery.
I see funeral processions every day.
I am constantly reminded
Of my own mortality.

But, I’m learning to live again:
I sing while I wash the dishes,
And watch as my hands prune.
I sit out on our front porch—
The roof supported by pillars
Resembling roman ruins—
And it’s like being at the theatre,
The porch railing separating myself—
Perched in my plastic loge chair,
Chain-smoking—from the stage.
The wildflower garden beneath me, filled with
Trumpeting perennials and hibiscus,
Manned by the humming birds and honey bees,
Acts as the orchestra pit.
And I watch the play unravel before me.
The cast: the ghetto blasters rocking out in their cars,
The hipster in his mid-thirties—
Decked out in his color coordinated pastel threads,
Aviator glasses,
And a thoroughly 70’s haircut—
Zooming by and honking and waving frantically
On his seafoamgreen moped.
The apathetic mailwoman, delivering letters and bills
To the wrong addresses.
The school kids scampering home,
The drunken rednecks, cursing and staggering about,
The meth-heads babbling to themselves,
The haughty hookers stomping down the cement sidewalk catwalk,
The ghetto boys trying to look intimidating:
I smile at them; they ignore me.
(It’s good to be in the hood.)
At night, I entertain company, and we drink
Boxed wine from plastic placentas,
And pretend to be super fuckin’ classy,
Fully aware that the booze won’t taste any less cheap
When sipped from elegant crystal glasses.

(I’ve been drinking red wine almost every night,
Staining my lips purple.
I have to wash away the evidence every morning.)



I went home for Labor Day
And visited friends.

(It’s nice when people run
Their schedules by me
Just to make sure I’m available
To see them—it makes me feel important,
Like I’m worth something:
Worth time, worth energy,
Worth fractioning out
A slice of day.
Do I sound like a douche bag?
I realize I’m no crackerjack prize,
But it’s nice to know that people
Actually want me around.)

Friday, we drowned ourselves in tequila,
And pretended to be the alcoholic bitches on vh1,
Rubbing what we spilled into our legs like lotion.
One of the most pertinent and meaningful lines of the evening
Came from the drunkest man in the house:
“Do wha’makessssyouu happy,
you only live life once,
so’njoy it, and do what makesssyou happy”
he slurred, as he handed us his booze.
I’ll raise my glass to that.
Here’s to doing what makes you happy.
And here’s to trying to be happy, despite the odds.
Cheers.

I listened as a crack-head explained
How liberating it was to break her own dishes,
And somehow, it made sense:
How, when someone else breaks your dishes,
It’s frustrating, but when you’re the source
Of the destruction,
It’s freeing and therapeutic.
I nodded and emphasized.

I porch-sat with a good friend,
And noted that
The leaves were turning red,
And the daises were dead,
And it hit me that
Summer was actually ending
And fall is right at our heels.



My hair is finally growing out.
I’m glad. I missed it. I feel like fall.
It’s funny how much people’s hair grows
While you’re away.


My friends’ hair grew.
I visited my clairvoyant friend—the virgin of the couch
With a haircut like Lady Gaga’s—
And her sister, the women’s studies lesbian—
Who updated me on her personal study of women—
Their hair grew.
And we watched nonsensical Japanese films:
They were unnerving.
We chain-smoked and cackled,
And we resembled a coven of witches.
And we fantasized about how jolly it would be
If we really were a coven of witches,
Casting spells and hexes on our enemies,
Brewing surefire potions for true love,
Tending to an herb garden
Of mistletoe, lavender, rosemary, sage and thyme,
Worshipping the moonlit nights
And flying across the midnight sky on broomsticks.
Maybe I should drop out of art school
And take up witchcraft.
Then I wouldn’t have to paint any more still-lifes,
Or grow up.


Is it pathetic that
One of my main plans for the future
Is for the apocalypse to finally arrive,
Or for the aliens to invade,
And beam me up off of this planet
Just so I can avoid growing up?
I don’t think so.


At least,
I’m starting to finally feel like myself again.
My heart is finally healing,
I am finally breathing.
No more self-loathing,
Or playing out impossible
And unrealistic scenarios,
I’m not sure what
I’m supposed to be doing with myself.
But at least I can consume myself
With something new,
And finally focus on doing
What makes me happy.

Tuesday, August 18, 2009

Falling back in it again in Italy.

Warning: this is long as fuck, and not necessarily cohesive or fluid.
Here are some scraps and scribbles from Italy.




Airport musings:

It’s hard to describe how Europeans look:
They are definitely attractive and exotic—
But there is something distinctly different
About their features: perhaps it is
The dramatic arches of their eyebrows,
Or their seemingly pursed lips,
Or their long, unkempt looking but
Totally styled hair.
I think, maybe, they look like vampires.
They are definitely all supermodels, for sure,
Fair and beautiful eye-candy,
And I can honestly say, I am now
Without a cent of self-esteem
Or self-adoration to my name.
Europe will be the demise of my vanity.

(And there is something totally campy
About flight attendant uniforms
And their dress code
And personal grooming regulation—
And about flight attendants in general,
But that’s a different matter entirely)

Before we left the house, my grandma
Instructed us to take photographs,
Reminding us that our generation
Is privileged to have cameras,
That in her day, they didn’t have such
Complex contraptions and devices
To their disposal.
Nor were they allowed to take pictures
At the Vatican.
(I think she’s still bitter about that)
Except for the Japanese—
They magically had cameras.
And they never followed the rules.

(Ironically, I forgot my camera; oops)

Also, apparently, when Europeans
Find you attractive, they pinch your ass.
My great-aunt explained that
When she was in her thirties,
A frisky Frenchman pinched her rump
In front of her husband at the Vatican,
And therefore also in front of God himself.
My grandma wailed and warned us
To be careful.
(I can only hope that someone
Finds me attractive amongst
All these beautiful people—
Maybe I have some mysterious
American charm and I will get laid,
Or maybe everyone will just think
I’m a child with special needs and ignore me)



Florence:

Florence is busy.
I’m not sure if they have traffic laws here.
I think they just make them up as they go.
Lanes are more like guidelines,
When there are lanes.
Stop signs and traffic lights
Are optional.
Everyone drives like I do
e.g. over curbs.
Except they all have small cars;
I have a mini-van;
They have no excuse.

Florence feels like a post-war town.
From what I have seen,
There is only graffiti
And construction
And cigarette butts
And plaster buildings
And street vendors.
The language barrier is intimidating
And I feel like the only thing
I can do is make awkward
Hand gestures and eye movements.
Maybe I won’t leave the hotel room.

The hotel is beautiful.
From the street, we missed the entrance
The first time looking for it.
All of the homes and shops
Have paper thin entrances—
You travel through narrow, dimly lit corridors,
And the space branches up and out as you proceed.
It’s like a labyrinth; rooms stacked impossibly.
There are hidden rooms and stairways and hallways
Tucked away leading to other living chambers.
I half expect the wardrobes to take me to wonderland.
There are miniature statues everywhere,
And bright flowers
And painted glass windows
Framed by stained wood.

The Italians really like their leather,
Whenever we pass a coat shop
Or a purse stand, the smell is so incredibly
Overwhelming, it seems as though
The cows are being slaughtered
Just behind the counter,
I wouldn’t blink twice if I saw blood
Seeping under the doorways to the backrooms.
I keep looking for the underground bondage clubs;
I haven’t found them yet.

We visited David; I swooned in ecstasy.
He was beautiful.
Michelangelo believed that
The nude male figure
Is the epitome of beauty.
(I agree with him whole-heartedly)
All of the figures we saw today were incredible:
Every muscle bulging,
Every vein exposed,
Bones protruding,
Chiseled perfection.
I fell in love with every single statue.
Each one gave me goosebumps.
I hope one day I’ll be able to create art
Like these masters.

We saw living statues.
Some of them weren’t doing it right—
Running around in ghost white bed sheets,
Face paint sloppily applied—
Jingling paper cups of change in peoples faces.
I didn’t pay them.

My first glass of Italian wine was delicious.
Sweet, slightly spicy.
Dry, yet rich and quenching.
I think the grapes here are fertilized
With honey and crack.

The Italians believe that when
You’re seated at the dinner table
You don’t age.
So you might as well sit back
And relax for a couple of hours
And enjoy the meal and the company.
Because you’re obviously
Not getting any older
Or missing anything important.
I like this mindset.

I saw great paintings:
I saw Caravaggio’s thieves, prostitutes and male lovers.
I saw Da Vinci’s Madonna clutching Christ,
I saw Botticelli’s Venus, rowing ashore on her shell,
I saw Paramigianio’s long-necked virgin,
I saw the birth of scientific linear perspective.
I saw the birth of the Renaissance.

The Renaissance was a time of
Exchanging ideas and theories,
Of intellectual and spiritual intercourse
And conversation,
Of poetry and wigs
And frilly dresses—
Of artisans, of invention,
Of turning to self and the capacity
And ability of man for inspiration.
Of human connectedness.
I should’ve lived back then.
In another life, I probably did.

I saw more living statues.
I walked up to one, dropped a coin
In his box and he slowly creaked to life.
We made eye contact.
We touched.
Held hands.
He started to pose for a picture;
I wanted to stop him and say:
“no, no, I just wanted to share a moment with you,
I just want to feel another being pressed against me,
I just want to feel human again WITH you,
Just for a moment”
But the language barrier prevented this.
So I quickly wrapped my arms around him,
He followed my lead,
And we embraced—a true, heartfelt embrace.
Cameras flashed, people smiled.
It was pure and beautiful and intimate.
I thanked him—we smiled at each other
And bowed,
And then he turned back into a statue.
I visited all of the others on the street.
It felt like pure prostitution:
We’re both getting what we want.
My side possibly more meaningful,
But it works out.
Maybe I’ll drop out of school
And become a living statue,
Busking around town to pay the bills,
And creating meaningful, human art.



I’m getting the tan I’ve been avoiding all summer.
Fuck.
I feel like a vineyard worker.

We ate out in the town, feasted on pasta
In a cellar and drank their sweet wine.
The chief listened to 90’s pop—
I’ve also had my fair share of lady gaga here;
She really has taken over the world.
(I had a fantasy about meeting her in Rome,
And I wanted to take a picture with her
And she wanted to take a picture with me
But we were both just so hot and sweaty and gross,
So we made out instead)

My sister and I took dead pictures around the hotel,
People stared, and it was okay.




Lucca and Cinque Terre:

It was bittersweet to leave Florence,
To leave the art and the life and the hospitality.
We went for a day trip in Lucca,
We rode bicycles around the top of the fortress walls
Surrounding the town; it was wonderful.
I don’t think I’ve been so happy and joyous and carefree
In a long time.
There’s just something about riding bicycles.
It was thrilling and satisfying.
(The experts are right; you never forget how to ride a bicycle)
We just rode around the fortress at a comfortable pace,
Taking in the scenery and letting the breeze sweep across our bodies.
It was refreshing; I checked out.
I felt like I was in an animated Japanese film,
Merrily peddling along, fresh fruit
In the whicker basket
Woven to the front of my bike,
The locals zooming by: some carried radios,
Others made out on the benches.
It was perfect.
We went to a little shop and bought sandwiches,
And feasted on salami, prosciutto and focaccia beneath the trees.

Then we bussed back to Cinque Terra,
A little town tucked away in the mountains,
Shielded from the elements;
Lemon and orange and grapefruit trees
Thrive in the humid climate.
We could see all the rooftops of the surrounding houses
From our hotel balcony—
It’s an old pirate town,
Everyone sun bathes,
Except for the elderly,
Who gossip in the shade
On the benches outside the churches.

We went to a restaurant predating
The second world war, and the owner and cook
Shared her secret pesto recipe with us.
Fragrant and potent basil,
Pine seeds and slick olive oil,
Mashed to all hell.
It was delicious.
We washed it all down
With sweet white wine.
Afterwards, we sat out on the terrace,
Comparing notes and smoking cigarettes
And star gazing.
It was surreal knowing that we were sitting
Under different constellations.
For once, I wasn’t under the same stars.

We climbed the mountainside on narrow,
Man-made stone paths connecting the small towns
Along the coastline—steep stairways embroidered
The jagged terrain; the people who dwell here
Grow grapes and basil and tomatoes on the cliffs.
It’s amazing what can be sowed and harvested
From these dangerously steep, stale and bone-dry gardens.
Incredibly, wild bamboo plants and morning glory vines also reside.

We walked through a tunnel of love:
Couples flock here to declare, memorialize and solidify
Their commitment to their lovers by locking lockets along
The railings of the tunnel.
Human hearts, roses and other images of love and passion
Were graffitied onto the walls.
(I wondered how many of these couples were still together.
And then I wondered how many of the skeptics kept
The keys or scribbled down the combinations just in case
Their relationships turned sour)

I sat out on the balcony of our hotel with a refilled glass
Of white wine, inhaling cigarettes and enjoyed
The scenery—the rooftops and awnings.
I didn’t go to the beach, my farmer’s tan is too embarrassing.
Everyone here is just so beautiful,
In their speedos, making out on the rocks,
Glistening in the sun,
The waves lapping at their feet,
The foam licking their toes.
They look like mermaids.
I want to be a mermaid.

A humming bird flew by,
Quickly drinking the sweet nectar
From a potted flower on my terrace.
It was brief.
And I wondered what hummingbirds did
With the rest of their time
When they weren’t making fleeting appearances.

Tuscany:

The hills here resemble the landscape of the human form:
Voluptuous curves, full mounds, fleshy complexion,
Like the smalls of backs, or the arches and dips of breasts,
Sewn together and clothed in a patchwork garment
Of plantation fields.

We went to a wine tasting.
We discussed art and politics,
We discussed St. Catherine’s severed and preserved head,
We sat in awe of the resiliency of the Tuscans,
Who blocked up an entire arched gateway to the city,
Using massive bricks they pried up from the streets,
To prevent the Germans from invading.
We traded tales about relatives
Who immigrated to America
And stressed the importance
Of remembering and preserving and recording
Their histories and their stories
Before we lose them and it's too late:
Loaves of bread, aunt rose, wartime factory gossip.




Rome:

(By the time this trip is over, I wont have any clothes
That haven’t been stained and ruined from olive oil splashes at dinner—
I’ll have to shop for an entirely
New wardrobe when I return)

We went to the Vatican.
I saw the Sistine Chapel ceiling.
I came in my pants on the spot.
It was messy.
We saw Bernini’s beautiful sculptures,
Cheered and rooted as David pulled his slingshot,
Peeped at Theresa moaning in ecstasy,
Witnessed Persephone’s rape,
Watched as Daphne transformed into a tree
And consoled Apollo mourning his unrequited love.
Each statue was posed in arching, twisting,
Dramatic, ballet-like, lyrical stances.
They looked as though they could come to life.
The detail was impeccable,
The skin of Persephone’s limbs impregnated and penetrated
By the pressure of Pluto’s grasp as she flailed to free herself.
I came in my pants once again.

We went to the colosseum;
I imagined the glamour and desperation,
The bread and circus,
The exotic splendor
And the facing of one’s own mortality.
Mussolini called it “monumental clutter”


We did the tourist thing,
We inhaled gelato,
We drank lemocellos to “aid digestion” after dinner,
We ate Bacio—delicious confections—fists of dark chocolate sprinkled with almonds
With little slips of passionate poetry folded inside:
“Love looks not with the eyes, but with the mind”
“The heart cannot be bought or sold, only given”
“A sponge to wipe away the past,
a rose to sweeten the present,
and a kiss to greet the future”
“Love submerges in a wave of kisses
and surfaces in a torrent of passion”
(I think, this is where Italian men get their pickup lines,
Cheesy as fuck, but I love cheese, and I ate that shit up)
We cast coins into the fountain of Neptune.
I threw in three so that one day I will return
With the man of my dreams.



My aunt says every equinox and solstice,
Her family and friends come together to celebrate,
Gathering in front of a roaring fire.
On little slips of paper,
They write down their dreams and desires.
Then they drop these prayers into the fire
And let them burn.
And as the ashes disappear
And their hopes are released into the atmosphere
They pray that the world answers their requests.
It’s kind of like ‘the secret’, but without
The greedy material gain,
Rather, it’s spiritual and emotional healing.









Every time I sit down to write a list of qualities
I hope to find in a man, I keep describing
The last person I was in love with.
He seemed perfect,
Sometimes, I still think he is.
But clearly he isn’t,
Otherwise we’d be together,
And I wouldn’t be writing this.

This is probably healthy, maybe.

I want someone taller than me,
Someone who can literally
Sweep me off my feet
(Which shouldn’t be too difficult
To begin with since I have about as much
Meat on my bones as a holocaust victim)
I want an artist, a writer, a musician, a poet,
A romantic, a dreamer, an explorer, an inventor.
“Someone schooled in an art, as though he was kissed
By God, full on the lips”
I want someone who communicates,
Someone who won’t jump ship when faced
With discussing himself and his feelings.
He must be sturdy,
And vulnerable,
And eloquent—
Someone who finds beauty
In the simplicity of life.
Someone who is candid,
And not emotionally detached.
Someone who isn’t too glittery or misty,
Someone strong and protective,
Someone with wit and charm,
Style and class,
Someone who can express his love
Not simply through spoken word
Or physical pursuits,
But through other creative, expressive
And unexpected outlets.
I want someone who can appreciate me for who I am,
Not for who I could potentially become.
I want someone who doesn’t think I have growing to do,
That my feet aren’t too small for the shoes I’m trying to fill.

Someone like this:

Someone “…who wishes to build sand castles with words,
Who is willing to create a place where your imagination can wander.
We build this place with the sand of memories;
These castles are our memories and inventiveness made tangible.
So part of us believes that when the tides starts coming in,
We won’t really have lost anything,
Because actually only a symbol
Of it was there in the sand.
Another part of us thinks we’ll
Figure out a way to divert the ocean.
This is what separates artists from ordinary people:
The belief, deep in our hearts, that if we build our castles well enough,
Somehow the ocean won’t wash them away.
I think this is a wonderful kind of person to be.”
(Anne Lamott “Bird by Bird—Some Instructions on Writing and Life)

Amen, Anne.

(Alas, “we plan, god laughs”
I had an emotional experience
Whilst watching “Iron Jawed Angels”
On the flight home.
It was probably the wine.)

Anyway,
No more planning.
My clairvoyant friends
Can predict when guests
Are going to arrive.
I’m usually bad at this.
But I get the feeling
Things are looking up